Brutalism

(1960 - 1975)

Coined in 1953 to describe the architectural work of a group of British architects, Brutalism in its early phase (originally called New Brutalism) was a design philosophy, not a style. The idea was to create an aesthetic based on the exposure of a building’s components: its frame, sheathing, and mechanical systems. However, the term quickly began to be applied to buildings that used monumental concrete forms and bulky massing. The style represents a revolt by architects against the corporate glass curtain wall and was often seen as a quick and easy way to construct long-lasting buildings.

The term Brutalism is derived from the French word for rough concrete or “beton brut.” Brutalist structures have a heavy mass and scale, and their highly sculptural blocky shapes are often stacked together in various ways, creating an unbalanced look. Common design features include the “Russian Wedge,” in which a wall plane projects outward on a sloped angle. Broad surfaces are often interrupted by deep-shadow penetrations of the building’s mass; vertical slots may contrast with broad oblong openings or tall openings with horizontal slots, while “egg-crate” effects are also much employed. The exterior treatment, as the name suggests, is usually exposed concrete, which is left rough to show the wooden formwork. However, some examples of brick and stucco can be found. Fixed windows are set deep into the walls and are often small in relation to the size of the structure. Another common feature is the use of "Waffle" slabs for floor and roof systems. As the name implies, this cast-in-place building system utilized a continuous pour of concrete with a coffered underside to reduce the weight of the slab. Such slabs were often left exposed.

While the style appeared early in the Pacific Northwest, the best examples date from the late 1960s. The style was rarely used for residential architecture and was mainly used for institutional buildings such as libraries, schools and museums. Small-scale commercial buildings such as banks also utilized the style.

Brutalism brought out the best and worst in what Modern architecture had to represent. In warmer desert climates, many Brutalist buildings have often come to be regarded as works of art. However, under the damp, gray skies of the Pacific Northwest, Brutalist buildings are often described as being unfriendly, cold and dark. The roughness of the exterior concrete soaks up moisture and turns black with age.

Bank, Enumclaw (c.1975) <br>Photo courtesy of DAHP.
Union Avenue Parking Garages, Olympia (1958) <br>Photo courtesy of DAHP.
Public Library, Prosser (1972) <br>Photo courtesy of DAHP.
Psychology Building - CWU, Ellensburg (1972) <br>Photo courtesy of DAHP.
Christ Episcopal Church, Tacoma (1969) <br>Photo courtesy of DAHP.
Recreation Center - Evergreen State College, Olympia (1972) <br>Photo courtesy of DAHP.
Bank, Enumclaw (c.1975)
Photo courtesy of DAHP.